Angelo Solimena (Serino, 17 November 1629 – Nocera Inferiore, February 1716)[ Serino Commune website, biography.] was an Italian painter, father of the better known Francesco Solimena.[
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Life
Solimena was born in Serino, near Naples, on 17 November 1629. He was a pupil of Francesco Guarino, with whom he seems to have collaborated on canvases (e.g. Virgin and Child with Saints) in the church of the Corpo di Cristo in San Sossio di Serino. One of his earliest paintings is the Pentecost, dated 1654, in San Michele in Solofra,[Painting in Naples 1983, p. 181.]
His Deposition (1664; Nocera Inferiore, San Matteo) is derived from Federico Barocci’s painting of that subject in Perugia Cathedral.[Painting in Naples 1983, pp. 276–7.] His Virgin and Saints (1667; Gravina, church of the Purgatorio) and St. Francis Requesting Plenary Indulgence for Porziuncola (Salerno, San Lorenzo) are close to the art of Massimo Stanzione, and this similarity recurs in the Virgin of the Purification (1671; Sant'Egidio del Monte Albino) and in the Trinity ( 1672; Avellino, Santissima Trinità).
Between 1674 and 1675 Angelo completed an ambitious decorative scheme involving many frescoes depicting saints and biblical scenes for the church of San Giorgio in Salerno. The paintings in the left apse of Salerno Cathedral (the Fall of Manna and Communion of the Apostles) and the frescoes of the parish church in Raito also belong to this period.
Two collaborations with his son Francesco Solimena, Paradise (Nocera Inferiore Cathedral) and the Vision of St Cyril of Alexandria (Solofra, San Domenico), show him moving towards the more modern style of Giovanni Lanfranco and Luca Giordano.
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